The Age Of The Electronic Keyboard

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The Age Of The Electronic Keyboard

Submitted by: Roberto Sedycias

In the world of music the latest entry has been the electronic keyboard. There are global manufacturers of connected software. Electronic technology has been incorporated in synthesizers, portable keyboards, digital pianos, home organs, sound modules, sequencers, drum machines and the like. There are keyboard controllers for classical and theatre organs as well as keyboard communications systems.

Whether in the classroom or home it is fun and easy to churn out music with the help of electronic keyboards. The electronic keyboard can be any one of many things – organ, piano, synthesizer or sampler. Most the electronic keyboards can be linked to the computer for experiencing the feel of real multimedia.

The digital piano combines in it the sound of acoustic piano with the fine control and expediency of an electronic device. This is done by playing reverse digital recordings or samples letting out different sounds as the player presses various notes. Like the ordinary piano this electronic model responds to the touch of the musician increasing or decreasing in volume. There is also a sustain pedal.

Some electronic keyboards are weighted so that player gets the same feel as that of an acoustic piano. The bonus point is that digital pianos are incredibly cheaper when compared to their senior cousins. These occupy less space and is minus the botheration of tuning. By using headphones it is possible to practice late at night without bothering the family and neighbours. Some sophisticated models include disk drives that allow for orchestral accompaniments and even recordings.

Electronic keyboards in organs imitate the sounds of the conventional pipe, reed and tone-wheel organs. Here again the size is fraction that of the senior organ and the price is modest – to say the least.

Electronic keyboards reach their crescendo of success in synthesizers and samplers. There are many types of synthesizers – facilities for playing back, recordings and creating exotic sounds with fine sensitive controls. There are voluminous libraries of pre-programmed sounds for the asking. Most of the synthesizers and samplers are termed multiimbral. This means playing back of many sounds simultaneously.

Another name to be acquainted with in the modern age of electronic music is MIDI or Musical Instrument Digital Interface. It is a kind of standard language in the music world that allows electronic keyboards to be inter-connected and also to be linked to the computer. Music softwares are a must for students of harmony and composition.

Portable electronic keyboards are compact, light and easy to carry. Possessing one is real cool fun. The speakers are built in and thus no external ones are required. These are chameleons of the music world and can change its character bringing out sounds of a dozen instruments at the wish of the player – piano, organ and even drums.

The market of electronic keyboards is growing very fast. Manufacturers have responded with a mixture of keyboard products. The primary has been promotion of electronic keyboard through publication and advertising enabling the public to know about it. A target has been set for introducing this new contrivance amongst music educators of music technology in major universities across US. Setting up websites for this purpose of enlightening people about electronic keyboards has also been a major step forward.

An important part of music education is music technology as can be seen the world over in television and film productions as well as the Internet. The learning and application of electronic keyboards has become relatively easy and the impact is more powerful than before. In the age of electronics changes on the musical front too are happening overnight. Thus updating is an important part of publications.

About the Author: This article can be accessed in portuguese from the Article section of page Roberto Sedycias works as IT consultant for


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The Industrial Dance Moves that go along with industrial dance music incorporate many styles like techno dance, tecktonik, finger breakdancing, X-outing, hip hop and popping. Techno dance is a regimented style with cheeky hand movements and lots of leg movement. Although it has its own genre, many feel it still looks like disco dancing. The industrial dance moves of X-outing are all in the legs. It’s definitely intense and takes times to learn all the amazing switches. Hip hop has industrial dance moves that are cool and exaggerated. With choreography and great moves, it makes you reminisce of the girl groups and boy bands. The skill it takes to pop is amazing, and the moves are cool to watch.

Front 242 was a popular industrial dance music band from Belgium that began releasing its music in the 1980s. Many fans attribute their interest in electronic body music (EBM) to their album Geography. They also created the popular album Front by Front with classic singles like “Welcome to Paradise” and “Headhunter.” The band’s approach to music was new because it as observational instead of abstract.

The first Nitzer Ebb single in 1982 “Isn’t It Funny How Your Body Works” featured heavy militaristic themes and resonated with fans. His industrial dance music is well-known for its pounding percussion, analogue sound and heavy edge. His tracks of industrial dance music are still heard in clubs today. Canadian-based Frontline Assembly is another class act of industrial dance music and industrial dance moves. The group was formed by Bill Leeb after his departure from Skinny Puppy. Frontline Assembly pushed the envelope and added new elements of EBM like introducing sampled guitars. The group’s passion for reinvention is the same today as it was back in 1994.

Even though Funker Vogt is a relatively new group from the mid-1990s, the band has been unstoppable from the onset. War and social justice issues are the major influence in their music, and the group helped bring back the original aggressive EBM sound back into the popular clubs. They’ve build their reputation on using the remixing of previous artist with their own individual style.

Leaetherstrip came into fruition with the work of Danish born Claus Larsen. The band’s first album, The Pleasure of Penetration, featured heavily distorted vocals with an aggressive percussive sound. In the 1990s, the band changed its signature sound from gothic to more melodic elements. Leaetherstrip’s influence can still be heard in many of the bands that followed in its footsteps.

Without a doubt, industrial dance music and industrial dance moves are here to stay. There are just too many fans that are completely devoted to this type of music for it to go away.

To learn more about Industrial Dance Music and Industrial Dance Moves, check out

There are lots of issues to be considered about electronic keyboard, and those that are heavily into the subject are likely to want to know more. Even if this article serves as no more than an introduction, nothing stops you from putting the information to good use.

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